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Kodachrome news
Mar 23rd, 2012 by Ken Hagler

Seen on a mail­ing list:

On demand” could con­ceiv­ably include any film that Kodak has ever man­u­fac­tured. Some­one in the audi­ence asked the inevitable ques­tion: “Includ­ing Kodachrome?” [Bev­erly Paster­czyk of East­man Kodak Co.‘s] answer: “Yes, includ­ing Kodachrome”. She added that while small runs of Kodachrome were unlikely, it was not out of the ques­tion, since they have had numer­ous inquiries.

To the ques­tion “How could this be made pos­si­ble?” her answer was intrigu­ing. “Vol­ume is the answer. Con­sumer groups of large num­bers of indi­vid­u­als could peti­tion for the return of a spe­cific film. This would include not only large com­pa­nies, but also indi­vid­u­als banded together such as cam­era clubs, espe­cially those with a large enough base such that they could col­lec­tively join on a national or even inter­na­tional basis”.

The ques­tion of pro­cess­ing isn’t really addressed here. I seem to remem­ber read­ing that Dwayne’s sold their pro­cess­ing equip­ment after they stopped pro­cess­ing Kodachrome. How­ever, if that were dealt with, it occurs to me that another com­pany could con­ceiv­ably order a pro­duc­tion run and then resell it, like the way that com­pa­nies buy graph­ics cards from a man­u­fac­turer and then resell them with their own com­pany name.

Kodachrome cancellation
Jun 22nd, 2009 by Ken Hagler

Kodachrome Ends 74-Year Run.

HaasroseBy Ernst Haas

East­man Kodak announced this morn­ing that it will cease the man­u­fac­ture of Kodachrome this year.

Cel­e­brated in song (lit­er­ally!) and story, Kodachrome is the old­est film in pro­duc­tion and the longest-lived film prod­uct in the entire his­tory of pho­tog­ra­phy. Devel­oped by Leopold Godowsky and Leopold Mannes (known as “God and Man” within Kodak) in 1935, Kodachrome had excep­tion­ally low con­trast (a good thing in a trans­parency film) and an inim­itably rich, beau­ti­ful color palette. For decades it was by far the best color mate­r­ial extant. Among other things, for many years around mid-century it rel­e­gated fam­i­lies to long ses­sions in dark­ened rooms with a slide pro­jec­tor and a screen, the best way peo­ple had of show­ing each other their vaca­tion and birth­day party pic­tures. Many lead­ing pho­tog­ra­phers even today, includ­ing Sam Abell, William Albert Allard, and Steve McCurry, did much of their impor­tant early work on Kodachrome.

How­ever, it is inher­ently slow and very dif­fi­cult to man­u­fac­ture, and dev­il­ishly intri­cate to process. Only one lab in the world is cur­rently pro­cess­ing it—Dwayne’s in Kansas, USA. The best arti­cle about Kodachrome was pub­lished in Pop­u­lar Pho­tog­ra­phy and reprinted in the book The Best of Pop­u­lar Pho­tog­ra­phy. (I should be able to pro­vide issue and page num­ber, but I can’t seem to put my hands on it.) Many film users—including avowed Kodachrome fans—have moved away from it in recent years. It cur­rently accounts for less than 1% of Kodak’s shrink­ing film sales.

It might have been ’97 or ’98 that I first wrote about the com­ing demise of Kodachrome, in the pages of Photo Tech­niques, at the time Kodak sus­pended in-house pro­cess­ing ser­vices. If mem­ory serves, how­ever, Kodak promised back then to con­tinue man­u­fac­tur­ing the film for at least ten more years. It kept that promise.

GodandmanGod and Man, inven­tors of Kodachrome. I own a large dye trans­fer print of this pic­ture, but I’ve never been sure who was who. I think Godowsky is at the piano. (Thanks to Helen Bach.)

This end was inevitable, but it was cer­tainly a fine long run! Not for noth­ing is the press around the world this morn­ing call­ing Kodachrome “one of the iconic prod­ucts of the 20th century.”

Bravo to God, Man, Kodachrome, Kodak, and “those nice, bright col­ors.” R.I.P.

Mike

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[The Online Pho­tog­ra­pher]

Kodachrome is my favorite color film. The patent for it has to be long-expired by now, so maybe we’ll get lucky and some­one else will start mak­ing it (under a dif­fer­ent name), the way that Fuji makes Polaroid film.

Birds
Feb 13th, 2009 by Ken Hagler

 

Birds in the water at Santa Monica Beach.

Birds in the water at Santa Mon­ica Beach.

Recently I’ve been shoot­ing more Kodachrome.

New medium-format folding camera
Feb 3rd, 2009 by Ken Hagler

Fujifilm’s killer medium for­mat film cam­era. It has long been only a pro­to­type. We first heard about at last year’s PMA trade show and were able to see a wooden ver­sion of it at Pho­tok­ina in Sep­tem­ber 2008. But now, it’s offi­cial. Fuji­film is weeks away from releas­ing its GF670 Pro­fes­sional medium for­mat film cam­era. Here is our full arti­cle about it.

Out­side of Japan, the cam­era should be released under the Voigt­lander Bessa III 667 name, which Cosina will dis­trib­ute. [The British Jour­nal of Pho­tog­ra­phy]

The ear­lier announce­ment had already raised my inter­est. From the addi­tional infor­ma­tion, it looks like it will be about the same size as a Leica, and smaller when folded. Still no price, but I’ll prob­a­bly buy one when they’re released.

Ektar 100 out
Nov 9th, 2008 by Ken Hagler

A few weeks ago I learned about Kodak’s new C-41 film, Ektar 100. It’s out now–Samy’s in LA had a big pile of it. I bought a cou­ple of rolls to try out.

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