The next generation of inkjet papers are here! The introduction of new papers from Hahnemuhle, Innova, and Museo have everyone scrambling for these papers, as they are suppose to be the reason to finally come out of the darkroom. After all, B&W silver gelatin paper manufacturers are starting to disappear, causing more artists/photographers to convert to digital printing methods. This does not mean that we should start expecting these paper companies to create exact replicas of our favorite silver gelatin papers. We as a community, need to start suggesting what we would like them to change about their current papers rather than asking them to match paper that is oriented to a completely different process. These three papers are derived from exactly that, all three companies listened to the cries of those tired of RC semi-gloss or luster papers. The papers they produced are a tremendous accomplishment for the first generation of a new product, remember these papers are first generation.
If you are tired of the plastic feel of the traditional Luster or Semi-Gloss inkjet papers then the introduction of these papers is just for you. I personally like to think the difference of these new papers to Resin-Coated inkjet Luster papers, is a close comparison to that of Resin-Coated vs. Fiber-based paper in the B&W darkroom. The idea or concept of finding a paper that works with the look and feel that you are trying to find, to create the aesthetic in your artwork/photography is finally back. These papers as you will read are very close in the technical specifications, however, you will find each one has unique benefits to the end-user. It is up to you to decide which of these technical factors you care about in your imagery.
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These three papers are truly complimentary in my opinion, as every user will be looking for one of the unique characteristics of each paper. You will always here reviews of inkjet paper where people bash papers with information that is more about personal preferences then true quality or paper issues. These papers are clearly close in technical qualities and the real question lies in “What is your preference or feeling you are trying to provoke in your imagery?” We have finally returned back to the idea of which paper should I use to provoke the feeling and quality I am trying to portray in my artwork/photographs. In closing, do yourself a favor and try all three papers to see the unique qualities for yourself and do not listen to all the hype from all of the reviews. Each of these papers is unique and you may find, as I have, that you may have different uses for each of these papers.
The toughest part of getting these papers to create beautiful inkjet prints, is the twiddling of our thumbs as we wait for these papers to be available on a regular basis. [Booksmart Studio]
I’ve been looking for samples of these papers since I first heard about them a few months ago. The demand for them is so high among professional photographers that they are all very hard to find except in the 44″ rolls used by the largest high-volume Epson printers.
I managed to located a pack of 8.5×11 sheets of the Innova F-Type Gloss, and a two-sheet sample of the Hahnemuhle Fine Art Pearl. I also have a pack of the Crane Silver Rag en route, and should be able to try it early next week. Both the Innova and Crane paper were ordered from Jim Doyle at Shades of Paper.
I was quite pleased with the Innova and Hahnemuhle papers, although obviously my testing of Fine Art Pearl was pretty limited with only two sheets available. Within that limited testing I saw very little difference between the two. The Innova paper was just a hair warmer, and the manufacturing quality seemed a bit lower. The F-Type Gloss pack I got has slivers of loose paper all along the edges, as if the sheets were cut with a dull blade. This doesn’t affect the print quality, but I do have to carefully remove the slivers from each sheet before use to ensure that they don’t come off inside my printer and ruin the next print.
Both papers are very impressive (even with the manufacturing problem), and I would gladly buy more of them–if only I could find them in stock. In fact, I already have a photo that needs to be printed at 11×17 or 13×19 on one of these new papers to look its best.